Song: Third Eye
Artist: Tool
Album: Ænima
Written by: Adam Jones
(not all parts just the guitar part)
Tuning: DADGBe
/=slide up (towards bridge)
=slide down (towards nut)
h=hammer-on
p=pull off
b=bend r=release
pm=palm mute
ph=pinch harmonics/artificial harmonics
%3%=pick behind the bridge while fretting the note on the neck
<12>=natural harmonics
~=let ring

Intro:
I think drugs have done some good things for us. I really do. If you don't believe 
drugs have done good things for us, do me a favor. Go home tonight, take all your 
albums, all your tapes, all your cds, and burn them. Cuz you know what? The 
musicians who've made all that great music thats enhanced your lives throughout the
years; rrrrrrrrrrreal ***in high on drugs. (insert synth) The intro on guitar is 
done by using a slide, and a distorted sound. Its all random noises until about 8 
bars before the first verse (about 2 minutes or so). Then, it goes like this:
2:13
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  repeat twice
D|---/20/////*over neck pickup*15///17--------|
A|---/20/////*over neck pickup*15///17--------|
D|---/20/////*over neck pickup*15///17--------|

second time hold the 17 and then put the slide over the neck pickup on the high e
string and slide it down. then get rid of the slide


e|-----------------------------------|
B|-----------------------------------|
G|-----------------------------------| palm mute and play softly  
D|--------3-5------3-5------0-2------| x 12 trust me this is what
A|-----0--------0--------0-----------| he plays
D|-----------------------------------|

e|-------------------------|
B|-------------------------|
G|-------------------------|   x8
D|--------12--------14-----| Palm mute and play softly at first then slowly
A|-------------------------| get louder
D|---0-10-------0-12-------| then repeat previous figure and this one

3:52
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--------------------------------------------------|
A|-----12-------12-------12------12-----------------|
D|--------------------------------------------------|
(the really distorted sounding guitar is actually the bass believe it or not)

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|-0-------*pick scrape*---0-------*pick scrape*----| x2
A|-0-----------------------0------------------------|
D|-0-----------------------0------------------------|

First solo:

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--7~~~----5\-------///////12~~-12h13p12p10-|
A|--------------------------------------------------|
D|--------------------------------------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|-------3h5-5-3h5---/8p7--------------------------|
A|--------------------------------------------------|
D|--------------------------------------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--7~~~--7p5\-------///////12~~-12h13p12p10-|
A|--------------------------------------------------|
D|--------------------------------------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--12--10--12--10--12--10---| etc x 16 or so (aka play 12--10 16 times)
A|--------------------------------------------------|
D|--------------------------------------------------|
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^pm slowly release pm

e|-----------------------------------------------------------------|
B|-----------------------------------------------------------------|
G|-----------------------------------------------------------------|  
D|--10h12h13p10h12p10h12p10--//15/14-14-12h14h15p12h14p1210h12-12-|
A|-----------------------------------------------------------------|
D|-----------------------------------------------------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--p10\/////////15/17/19--------------------|
A|--------------------------------------------------|
D|--------------------------------------------------|
After the 19, go nuts... it's all improv anyways... the idea is to slowly work your 
way down to open. at which point, after a bit more improv, it goes: (he plays it 
live so its good enough for me)
5:34
It's subtle so listen hard
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--------------------------------------------------|
A|--3h5-5--3h5-3h5--///12--3h5-5--3h5-3h5--///13----|
D|--------------------------------------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--3h5-5--3h5-3h5--///14--3h5-5--3h5-3h5--------12-|
A|--------------------------------------------11----|
D|-----------------------------------------10-------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|-0~--------12--0~--------12--0~--------12-------12|
A|-0~-----11-----0~-----11-----0~-----11-------11---|
D|-0~--10--------0~--10--------0~--10-------10------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|-0~--------12-------------------------------------|
A|-0~-----11----------------------------------------|
D|-0~--10-------------------------------------------|

6:00
this is the part with the choppy guitar, and a heavily distorted instrument under 
the guitar. This instrument is actually the bass again (Justin has an amazing 
distortion pedal...)
e|--------|
B|--------|
G|--------|   
D|---12---| x47
A|---12---|
D|---12---|

6:55
e|-----------------|
B|-----------------|
G|-----------------|  
D|---0~~~~~~~~-----| x4
A|---0~~~~~~~~-----|
D|---0~~~~~~~~-----|

7:12
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--14--*bass slides down and back up*--10----------| x4
A|--12----------------------------------8-----------|
D|--12----------------------------------8-----------|
live Adam plays this part ^^^^ by sliding with the bass

This next part is interesting, and believe it or not, but if you don't have a guitar 
with a stop tail/tune-o-matic bridge like a Les Paul, you can't play it correctly. 
It's played by picking behind the strings behind the bridge while fretting certain 
notes. You will see this again later in the song. Don't worry, you can get somewhat 
close to the same sound by using a clean sound with lots of treble, lots of reverb 
and a little delay.
7:55 (clean with delay)
e|--------------------------------------------------|
B|--%222222%---%333333%-----------------------------|
G|--------------------------------------------------|  
D|--------------------------------------------------|
A|--------------------------------------------------|
D|--------------------------------------------------|

8:49 (distortion again)
e|------------------------------|
B|---------------14-14-14b------|
G|---------------14-14-14b------|  
D|--14---10--14--14-14-14b-10---|
A|--12---8---12------------8----|
D|--12---8---12------------8----|

9:07
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--------14-------12-------14-------12-------14----|
A|-----12-------12-------12-------12-------12-------|
D|--12-------12-------12-------12-------12----------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|------10-----8-----10-----8-----10----------------|
A|----8------8-----8------8-----8-------------------|
D|--8------8-----8------8-----8---------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--------14-------12-------14-------12br-----------|
A|-----12-------12-------12-------12----------------|
D|--12-------12-------12-------12-------------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|------10------8------10p8h10p8h10p8---------------|
A|----8-------8------8------------------------------|
D|--8-------8------8--------------------------------|

9:24
e|-----------|
B|-----------|
G|-----------|  
D|--0000000--| x4
A|--0000000--|
D|--0000000--|

9:54
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--------14--------12--------12--------14----------| x4
A|--------------------------------------------------|
D|--0--12-----0--10-----0--10-----0--12-------------|
pm^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--------14--------12--------14--------12----------| x4 then x2 palm muted
A|--------------------------------------------------| then x2 not
D|--0--12-----0--10-----0--12-----0--10-------------|
10:34
e|-------------------------------------------------|
B|---------------------------15----15----15--------|
G|----------------<12>----------14----14----14-----|  
D|--0---<12>-----------<12>------------------------|
A|--0--------<12>----------------------------------|
D|--0----------------------------------------------|

10:48
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|-----3h5-----3h5-----0h2--------------------------| x5
A|--0-------0-------0-------------------------------|
D|--------------------------------------------------|
    pm--    pm--    pm--

11:01
e|----------------------|
B|----------------------|
G|----------------------|  
D|--------14--------12--| x8
A|----------------------|
D|--0--12-----0--10-----|

11:14   
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--10h12--12h14--10h12--12h14----------------------| x2
A|--10h12--12h14--10h12--12h14----------------------|
D|--10h12--12h14--10h12--12h14----------------------|

11:20
D|--------14--------12--|  
A|----------------------| x6
D|--0--12-----0--10-----|

11:30 *chasing a trail of smoke and reason*
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|  
D|--5--7--3--1--------------------------------------|
A|--5--7--3--1--------------------------------------|
D|--5--7--3--1--------------------------------------|

(clean, delay)
All of this is picking behind the bridge
e|---------------------------------------------------------------------------|
B|3--3-3--3--3-3--3/4--4-4--4--4-4-4/6--6-6--6--6-6--64--4-4--4--4--4--4--4-|
G|2--2-2--2--2-2--2/3--3-3--3--3-3-3/5--5-5--5--5-5--53--3-3--3--3--3--3--3-|
D|---------------------------------------------------------------------------| x4
A|---------------------------------------------------------------------------|
D|---------------------------------------------------------------------------|

second solo
(this is actually picked in the regular area)
(distortion with a bit of flange)

e|-----------------------------|--------------------------|-------------------|
B|-///15--15--15-15--15--15--15|/16--16--16--1613-13-13--|/18-18-18-18-18-18-|
G|-///14--14--14-14--14--14--14|/15--15--15--1512-12-12--|/17-17-17-17-17-17-|
D|-----------------------------|--------------------------|-------------------|
A|-----------------------------|--------------------------|-------------------|
D|-----------------------------|--------------------------|-------------------|

e|----------------------|-------------------------|--------------------|
B|--1816-16-16-1613-13|-10-----10--10-10--10-10-|-10-----10---10--10-|
G|--1715-15-15-1512-12|-12b14--14--14-14--14-14-|-14r12--12---12--12-|
D|----------------------|-------------------------|--------------------|
A|----------------------|-----*****hold-bend******|***-----------------|
D|----------------------|-------------------------|--------------------|

e|-------------------------|------------------------|-------------------------|
B|-10-----10--10-10--10-10-|-13v--13v--13v-13v-13v--|-2018-18-18-18-18/20-20-|
G|-12b14--14--14-14--14-14-|-14v--14v--14v-14v-14v--|-1917-17-17-17-17/19-19-|
D|-------------------------|------------------------|-------------------------|
A|-----*****hold-bend******|*********************---|-------------------------|
D|-------------------------|------------------------|-------------------------|

e|-----------------------|-------------------------|
B|-2018-18-18-18-15-15-|-1815-15-15-15----------|
G|-1917-17-17-17-14-14-|-1714-14-14-14--12-12---|
D|-----------------------|-------------------------|
A|-----------------------|-------------------------|
D|-----------------------|-------------------------|

e|------------------------------------------|
B|------------------------------------------|
G|-10h12-12-12~--10h12p10-------------------|
D|------------------------12~-10h12p10------|
A|-------------------------------------12~-|
D|------------------------------------------|

e|-----------------------------|-----------------|-------------------|----------|
B|-----------------------------|-----------------|-------------------|----------|
G|-1210--10--10-10/12--12--12-|-1210--107-7-7-|-107--7--7-7--7-7-|-5v-5v-5v-|
D|-----------------------------|-----------------|-------------------|----------|
A|-1012--8---8--8-/10--10--10-|-108---8-5-5-5-|-8-5--5--5-5--5-5-|-3v-3v-3v-|
D|-----------------------------|-----------------|-------------------|----------|

12:19 (wah about 2/3 closed aka treble)
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------| x4 
D|--------------------------------------------------| (those are ones,
A|--------------------------h3----------------------| not elevens)
D|-00-0-0-11-1-1-33-3-3--3h5--p5p3h5----------------|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------| x4  
D|--------------------------------------------------|
A|------------h3------------------------------------|
D|--00-0-0-3h5--p5p3p0------------------------------|

(wah off)
e|--------------------------------------------------|
B|--------------------------------------------------| x27 or so... or
G|--------------------------------------------------| til end 13:12   
D|--0-----0-----0-----0-----0-----------------------|
A|--0-----0-----0-----0-----0-----------------------|
D|--0-----0-----0-----0-----0-----------------------|

and then... play with wah and flange, slide etc... make some feedback noise whatever

Well there you have it. If you need help understanding what I have here, listen to 
the live version off of Salival because the guitar is a lot easier to hear. On 
Ænima, there are several layers of slide and lead guitar, which can be heard 
somewhat better than what he plays live at some places. It's a hell of a song so 
keep at it til you get it. Expect it to take a bit to have it fully down.

Andrew. Not Adam. email [email protected]
Don't forget to bring a towel.
Could you believe they've played Disgustipated live?